Comedy Stealth Game ‘My Arms Are Longer Now’ Redefines Lawlessness in Gaming

My Arms Are Longer Now is a unique entry in the stealth game genre, steering away from the typical roles of spies or thieves. Instead, players control a highly mischievous arm that navigates environments, steals objects, and creates chaos, effectively answering the unconventional question: what would happen if your own arm became a rogue entity?

Matthew Jackson, co-founder of Toot Games, aptly describes the game as, “You are the bad thing that happens to the people.” This whimsical concept originated from a simple prototype born during a weekend game jam focused on the theme of lost and found. Alongside fellow co-founder Millie Holten, who he met in Melbourne’s improv and sketch comedy scene, they created a character defined by an exaggeratedly long arm that created instant visual humor.

With comedy at its core, the game features over 40 voiced characters, portrayed by Australian comedians. They not only deliver scripted lines but also improvise alternative dialogues while encapsulating the fun spirit of the game. “It’s a vessel for jokes,” says Jackson, emphasizing their aim to pack humor into the gameplay. As development progressed, the physics of the arm became an engaging aspect on its own. Players have the choice to customize their arm’s appearance, making it a personal extension of themselves rather than just a detached tool for mischief.

The stealth elements draw comparisons to the popular Untitled Goose Game, wherein characters react to your antics. However, Jackson notes that the game introduces no fail states—a museum guard might chastise the arm or plead for mercy before getting dismissed. One of the more controversial aspects during the game’s development involved Jackson’s inquiry to potential publishers: “Is someone going to come and tell us you can’t slap the baby?” Fortunately, Jackbox Games allowed this humorous inclusion.

Transforming the original 2D incarnation of the game into a 3D experience required significant effort and innovation. Following six months of development, the team opted for a 3D overhaul, partnering with developer Cherie Davidson to create a procedurally generated arm capable of realistic interactions. This decision was crucial for enabling the game to maintain its illustrated style while allowing for the physical mechanics needed to produce comedic impacts.

Yet, creating impactful comedy is an ongoing process. The team often refers to their refinement sessions as “going into the armpit.” Crafting humor is finite; engaging jokes can lose their effect after repeated exposure. While some publishers suggested incorporating additional puzzles, Toot was concerned they would detract from the comedic essence. Instead, Jackbox advocated for a playful experience that focuses on enjoyment over longevity, providing optional interactions for those who explore further.

Ultimately, Jackson’s vision for the game is delightfully straightforward: “I hope players say it was funny. That’s truly it.” After three years of development, including creating a cast of 48 speaking characters and a memorable baby slap, Toot Games has diligently worked to strike at the humor within the gaming community.