Lindsay Powell, known professionally as Fielded, has consistently challenged musical norms throughout her career. Initially born as an experimental noise project, Fielded has since evolved into a distinctive entity in the R&B genre, characterized by a continuous exploration of the boundaries of what R&B can entail.

Her debut album, Ninety-Thirty-Thirty, showcases a strong influence from the ’80s synth-pop era, introducing multiple saxophone solos that add a unique twist. Following this, Boy Angel presents an avant-garde electronic sound featuring bold saw-wave synths, energetic percussion, and intricate vocal layering. The 2020 release, Demisexual Lovelace, brought a more polished style and was released under the underground hip-hop label, Backwoodz Studioz, featuring contributions from notable artists like Billy Woods and Elucid of Armand Hammer.

Her most recent work, Some Kind of Animal, encapsulates the various styles Fielded has embraced over the years. This album juxtaposes tracks such as the organ-driven “That Bitch” with a cover of Nine Inch Nails’ “Closer,” which exhibits a 2000s neo-soul ambiance, alongside the industrial funk track “Heaven,” featuring guest vocals from Pink Siifu.

In a recent conversation, Fielded delves into her creative process and insights on the music industry.

Insights from Fielded

What is your most indispensable tool?
Fielded highlights the significance of her Universal Audio Apollo Twin audio interface, praising its user-friendly features and the quality of the Universal Audio digital studio plugins that enhance her recordings.

What sites do you have pinned to your tab bar?
Interestingly, she admits to having a pirated version of the Japanese cyberpunk film 964 Pinocchio, which she describes as a source of endless creative inspiration.

Which tech trend do you wish would go away?
Fielded expresses a strong desire for the disappearance of AI, considering it a troubling trend.

What creation are you most proud of?
Proudly, she states her latest album Some Kind of Animal, particularly the title track, holds a special place in her heart.

What’s the best piece of advice you’ve ever received?
Reflecting on her journey, she shares that the most valuable advice has been to practice patience, emphasizing that personal growth is cultivated through experience.

What is your current obsession?
Her fascination with stories about scammers illustrates her interest in the psychological mechanics of deception, ranging from minor scams to elaborate schemes.

What’s the last piece of physical media you bought?
Recently, she acquired Taxidermist’s Handbook by Alissa Bennett, a compilation of essays that delve into stories about various criminals, including scammers.

What would the tagline for your biopic be?
Fielded humorously suggests, “Freak Today, Freak Tomorrow,” capturing her quirky essence.

What’s the last GIF or meme you used?

Editor’s Take

This candid interview with Fielded highlights the evolving landscape of music and the role of technology in artistic expression. As artists navigate the digital age, their tools and inspirations reflect broader trends in creativity and culture. Fielded’s outspoken views, particularly on artificial intelligence, provoke thought on the implications of such technologies in music and beyond, underscoring the need for a balance between innovation and authenticity.